Transcendence (2014) Watch Online / Download HD

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Transcendence (2014) Watch Online / Download HD

Transcendence (2014) Watch Online / Download HD



Having opened to unsatisfying box workplace and nonsensical reviews within the North American nation (a pattern quite probably destined to be perennial here within the UK), this 1st feature from Oscar-winning cinematographer-turned-director saphead Pfister has drawn cruel comparison to John Carter, another huge budget sci-fi fantasy that sent critics and audiences running for the hills. however not like saint Stanton's headbangingly boring adaptation of a much-loved supply text (which, at associate degree calculable $250m, value quite doubly the number of Transcendence), Pfister's combat Jack Paglen's long-lauded script (which appeared on the 2012 "Black List" of most-feted unproduced screenplays) is guilty of nothing quite associate degree admirable disposition to risk ridicule in pursuit of a remarkable plan.

Transcendence
Production year: 2014
Cast: Johnny Reb Depp, Rebekah Hall
More on this film
Big on abstract ambition, this handsomely mounted dislike fable is amazingly short on crowd-pleasing explosions (the comparative lack of impressive action maybe proving its downfall within the multiplexes). And whereas it's going to wear the garments of associate degree list 21st-century fantasy, inside this can be a post-Westworld dystopian B-picture regarding the future-retro collision between man and technology – a movie engineered upon grand concepts instead of grand spectacle, and every one the higher for it.

The set-up is pure early Nineteen Seventies sci-fi (Pfister cites the pre-Star Wars canon of The Andromeda Strain, The Omega Man, Silent Running et al as influential) as Johnny Reb Depp's fashionable Frankenstein, can Caster, addresses a resistance audience on the world-changing potentialities of "technological singularity" – the creation of a sentient, conscious pc that crosses the boundary between man and machine.

Accused of trying to "create a brand new God!", Caster is ambushed by neo-luddite terrorists and faces impending termination unless his consciousness will be uploaded to a databank that promptly demands super-fast access to the web. however is that the new digitised presence to that Will's better half and partner-in-science, Evelyn (Rebecca Hall), currently cleaves really associate degree embodiment of her lost love? Or is that the progressively voracious entity just a twisted technological extension of her own grieving ambition?

While Depp gets advertizing (despite being daringly reduced to a small-screen presence at a reasonably early stage), the work is completed by nominal cast of characters Hall and Paul Bettany, each of whom do sterling work keeping the human blood count high as rampaging nanobots and secret underground facilities push the narrative toward the overarching Skynet of The eradicator. The intelligence could also be artificial however the emotions appear real, thanks for the most part to Hall and Bettany's solidly organic efforts; we tend to believe them even though we do not forever believe the story.

While Depp's digitised presence offers a role-reversed riff on the already acquainted themes of Spike Jonze's Her, the central romance here is crucially triangular, with this freshly broken world viewed through Bettany's hypnotic blue eyes, disposition associate degree air of underlying depression, captured and complemented by Jess Hall's lovely anamorphic 35mm photography.

Having 1st created his name as a keen-eyed director of photography on straight-to-video exploitation fare (Night Rhythms and natural instincts were inexpensive softcore, however they looked 1,000,000 dollars), Pfister has forever identified a way to tell a story privately – his pictures for films like beginning and also the Dark Knight could also be dazzling, however his visual modality is nonmoving  within the "show do not tell" faculty of narrative. Here, with editor David Rosenbloom (who tellingly cut the moody 35mm 70s throwback Out of the Furnace), he maintains a languorous pace completely at odds with the frenzied piffle that has come back to characterise blockbuster fantasy amusement within the era of archangel Bay.


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