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Transformers 2014 Review
Transformers: Age of
Extinction could be a 2014 fantasy action film supported the Transformers
franchise. it's the fourth installment of the live-action Transformers film
series and stars Mark Wahlberg within the lead role. A sequel to Transformers:
Dark of the Moon, the film takes place four years when the invasion of Chicago.
Like its predecessors, the film is directed by Michael Bay and govt created by
filmmaker. The script is written by Ehren solon, World Health Organization has
served as film writer since Transformers: Revenge of the Fallen. The film
options a completely new solid of human characters and is that the initial
within the series to feature the Dinobots. Returning Transformers embrace
Optimus Prime, Bumblebee, Ratchet, Leadfoot, and Brains. The film was free on
June twenty seven, 2014, in IMAX and 3D.
Since its unharness, the
picture show has received negative reviews from critics; criticizing the plot,
script, direction and acting, however laudatory the action scenes and visual
effects and Wahlberg and Tucci's performances.
Parents have to be compelled
to apprehend that Transformers: Age of Extinction is that the fourth
installment in director Michael Bay's toy-based franchise, prima a brand new
solid of characters however that includes a similar amounts of immoderate
violence and explosive action audiences have return to expect from these films.
The dialogue is peppered with sturdy language, largely "s--t" or
"ass," however there is additionally the occasional
"a--hole" and one use of "f--k." As for sex, whereas there
is just one huge kiss, additional problematic is that the movie's pervasive objectification
of girls, with nearly all of the feminine characters sporting tight, revealing
garments. Families sensitive to racial stereotypes might not appreciate the
manner a number of the Autobots speak or however, in one scene, it's silent
that each one Chinese folks ar as if by magic consultants at martial arts.
Despite all its several flukey parts (and the nearly three-hour runtime), this
film can charm to adolescent boys World Health Organization relish action
flicks. whereas younger children could also be interested, particularly if they
play with the Hasbro toys, this series is best for older children World Health
Organization will handle the non-stop chaos and big destruction.
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Race Gurram Telugu Movie Watch Online
Story: Brothers, Ram (Sham)
and Ashman aka Lucky (All Argon) simply cannot stand one another. Ram is that
the typical sensible son WHO wills all the proper things And grows up to become
an upright lawman. Ashman on the opposite hand is that the rebel WHO is that
the actual opposite. The 2 have a foul fall out there by triggering a series of
events that shake up the complete state.
Movie Review: In many ways
Race Gram is AN extension of July. A happier extension if you will decision it
one. The weather square measure all a similar. Like in July, All Argon plays
the errant black sheep of the family, we've got Daniela Bahrain enjoying the
daddy all over again, and there's catchy music, some eye sound dance moves, a
wicked politician for a villain etc. It's simply that the bank heist bit is
replaced by some mushy brother sentiment and also the comedy track - browse as
Brahmanandam's histrionics - found out method higher leading to a way a lot of
subunit viol looking at expertise...second half rather.
In fact Brahman dam got as
rousing a welcome (if not bigger) from the audiences as did All Argon’s
introduction scene. Whereas Bunny (as All Argon is dear referred as) had to out
run a pack of untamed horses in what was an awfully intricately planned
sequence. Brahman dam simply had to show up as Kill Bill Pander, an annoyed cop
and he creamed it.
The crux of the pica is that
the brothers spat. Whereas Ram is that the pride of the family, Lucky is that
the nonconformist WHO perpetually finally ends up appeal hassle. Once he even
goes and proposes to the woman Ram dotes on simply moments before his brother
confesses his love albeit unwittingly. The couple grows up hating one another a
lot of to the dismay of their mother.
Lucky falls soft on with Santana
(Shute) however is maddened to get that Ram badmouthed concerning him to Santana’s
father. Angry, he responds by stealing Ram official automotive to embarrass
him. In doing therefore he unknowingly finally ends up finding himself at
lumberjack heads with a rowdy known as Siva Reddy WHO conjointly happens to be
his brother's nemesis. Within the method our man conjointly discovers that everyone
the fights that they had growing up were in truth twisted expressions feeling}
and affection. What happens from here on is anybody's guess.
While entire half is simply
concerning passable things perk up within the last half primarily as a result
of Brahmanandam's impudence. All Argon wills a decent job of enjoying himself
and his comic temporal order extremely stands out. His performing arts within
the down dapper song are bother biology and gravity defying. The album should
simply be the simplest by Taman in an exceedingly long term and that they are pasteurized
even higher. Shute Has a has very little to try and do besides look pretty
which she will bright. Ravi Keshena and Makes Reship do the required.
All in all it is the ideal Hollywood
macula package loaded with the proper doses of amusement, union, and
Brahmanandam. Will’t|you cannot} fire a lot of can you?
An ultra-Statham Paraná
heroine WHO is cited on an important dose of spirituality such a lot therefore
her imperturbable calmness in unsavory things will even have the simplest of
the Brahma Kumar is become inexperienced with envy, a personality that makes
North American country surprise if the director traced it from some mature
Hollywood comedy. Parkas dominion WHO plays a peculiar father to the heroine,
WHO runs his home like AN ashram, WHO banishes his driver for exploitation the
word 'tokay', AN unacceptable cuss word for him. A pre-climax episode that sees
the hero reduced to a brother as a result of the director needs to use Brahma
to bring the roof down! Did you imagine checking any of those Kick-like options
in 'Race Gram'? These square measure there on the provide, besides a
brother-brother thread that lends it the much-needed emotional core.
Ashman has been a
troublesome nut to crack ever since he was a baby. He evokes disgust in his
brother Ram, helpless anger in his father (Daniela Bahrain), and a palpable
sense of concern in his mother. Lucky (as All Argon calls himself) grows up to
be AN eccentric nipper with no sense of responsibility, sorry for the fate of
his ACP brother (Kick Sham), WHO he thinks has to sacrifice enjoyments for
being too concerned in duty. the 2 brothers share a blow hot relationship that
borders on the Tom n Kraut skirmishes, however their mother, as if to given a
sign of the items to return, worries that the tempers might step up into a
full-blown enmity. Because the 'July' WHO imposes himself upon MS Mahayana’s
(the owner of a tea stall) family and lives off his brother's hard-earned
financial gain, Lucky reminds North American country of that representative
Telugu pica hero of a bygone era. Enters into his life Santana (Truth Hassan),
with whom he "connects" like a shot. Whosoever he connects is
allegedly sure hassle, however this point the burden has got to turn by the
wealthy businessperson Parkas dominion, WHO is irreverently named as Beam
dominion.
There is the standard
villain Shiva Reddy, a merciless criminal with AN infatuation for politics. Even
as he's making an attempt to create it huge in politics, the upright and bold
cop Ram decides to show him by courageously pursuing his list. While he
fortunately lays his hands on crucial proof that may seal the fate of Shiva
Reddy, the ever-worsening relationship together with his brother Lucky takes its
toll. Lucky unwittingly spoils the show and also the duteous cop in Ram might
destroy his brother if and once he involves recognize the truth!
The last half is AN
apparently narrated tale of however Lucky finishes the villains.
The best a part of the pica
is that the method the evolving relationship between Lucky and Ram is treated.
It's delicious in this there's no routine repent and sob quite stuff. Though
the hero courageously involving himself in his brother's fight is predictable,
the thread is enriched by the conflict that's arranged blank within the
anti-climax portion. The part provides the pica a charm.
Long when the audience
resigns to the fate of looking at a movie that may possibly finish solely when
distributing many gun battles and gravity-defying fight sequences, Surrender
Reddy unleashes Kill Bill Pander to partner with Lucky in his fight against
Shiva Reddy. Brahmanandam unleashes himself and sets the stage blazing. Looking
at All Argon himself being stunned by his undomesticated wildness makes North
American country convulse with laughter. it'd are Vinayak or Maher Rajesh if
Lucky was shown to smash Shiva Reddy with rods, reeling off punch lines and a
lot of punch lines. Surrender Reddy's Kick flavor is visible within the last
half permanently. An awfully sathvik Parkas dominion, WHO has hardly far-famed someone’s
raise their voice on the far side permissible levels reception, finds himself
in funny fight sequences. Kick Sham’s romantic angle is topped with a romantic
angle. The villain needs to possess 'kick' by exploitation power to complete
the hero, however the hero uses power (acquired in an exceedingly comic
fashion) to complete the villain.
Race Gram, for all the
powerful imaging it stands for, isn't a full-scale All Argon film. Though his
gallantry is enough to entrance the young audience, it's a lot of the terribly
several characters and brother-brother conflict that keep the proceedings
fascinating. Posen Krishna Mural, Right Babe, Right Kunche, JP, Tagubothu Rajesh
build little appearances.
Allu Argon’s performance is
neat. He does not evoke laughter (mainly as a result of the dialogues doesn’t
seem to be adequately imaginative) however overall; he ought to be watched out
for. His dance moves square measure spectacular as ever. However here once
more, he's somewhat unsuccessful by not-so-good tunes, blackball for 2 songs. Truth
has not a lot of to supply in terms of acting, however within the song 'Cinema
Choopistha Mava' she merely rollicks. Kick Sham gets another sensible role and
he will full justice. Ravi Krishna, the villain, isn't alarming enough. Makes Reship
is wasted in an exceedingly suboptimal role.
Technically, there's nothing
to complain. The photography is of commendable quality. The visuals square
measure breathtaking; the tricks is one in every of the largest assets. Whereas
the songs square measure so-so, the BGM is nimble.
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Naya Pata (2014) Watch Online / Download HD
"Naya Pata" NAYA
PATA is Associate in Nursing freelance Film to be created through crowd
funding. it's directed by Pawan K ShrivastavaNaya Pata is Associate in Nursing
innovative cinema that tries to capture the emotional insight of someone
throughout migration. it's the primary freelance film from state that is being
created through crowd funding. Pawan K Shrivastava is that the director of this
film UN agency feels proud to be a native of Chhapra (Bihar), a town
acknowledge for the preservation of literature. the thought of constructing a
movie on identity loss as a result of migration was a childhood dream of the
director. Pawan K Shrivastava has introduced the thought of Crowd Funding in
state to convey his message through the film severally.Naya Pata additionally
holds the credit of being a debut film of the Director Pawan K Shrivastava,
that may be a nice accomplishment for a newcomer within the screenland. per
him, “Naya Pata is predicated on the problem of migration and its pain since
last 3 decades in state. It’s a story of the Identity lost and located. It’s
supported the rear drop of the closure of Sugar trade in state throughout
1985-1990. It additionally talks regarding the fashionable and up to date
state.
In search of latest
beginnings, we have a tendency to leave behind our past and progress. New
place, new folks and a brand new address. But, however successful square measure we have a tendency to during
this search for a brand new identity? Or, square measure we have a tendency to
merely obtaining additional lost? Pawan K. Shrivastava‘s Naya Pata deals with a
theme - mental state – that several folks could feel we have a tendency to
square measure already well-aware of. But, amazingly, Naya Pata has new things
to mention. It bares the laborious facts of migration and its psychological
impact upon someone.
The bilingual (Bhojpuri and
Hindi) film, Naya Pata follows the story of Ram Swarath Dubey (Abhishek
Sharma). A migrant from state UN agency moves to city in hope of a higher
future. The film focuses on the growing anguish and anxiety of Swarath Dubey,
as he struggles to regulate within the fast town life. when twenty five years,
he moves back to his village in search of heat comfort, however he's once more
greeted with loneliness and obscurity.
The clever motion-picture
photography by Saket Saurabh sets within the pace of the film. every shot is
crafted with visual poetry. there's a symbolic placement of objects that evokes
the lost sense of happiness. The characters within the film square measure
absolutely formed. The actors square measure natural. Yashwardhan Singh UN
agency plays the character of the young Ram Swarath Dubey, is good. Abhishek
Sharma additionally provides a stellar performance. The music by infectious
agent Pandey is poignant and richly rough-textured. It blends in with the
story.
Although, the film with
success delves into a fancy issue, there square measure minor flaws in it. The
method the story develops may take a look at the audience’s patience. bound
scenes look quite abrupt, the climax appeared incomplete and will are higher.
Yet, Shrivastava did a splendid job.
When it involves films on
migration, we have a tendency to tend to expect lots of violence or fights.
But, Naya Pata is devoid of such extremities. Pawan Shrivastava delivered a
brooding film on a nonstop quest of someone for his identity.
Why must you watch the film?
A Bhojpuri film with a
distinction. deed aside all the raucous components sometimes seen in any
Bhojpuri film, Naya Pata may be a sincere effort. It captures the grim reality
of migration. With the gang going crazy over a particular "slapstick
comedy", Naya Pata may be a film that is will certainly provide you with
some relief. Sense over nonsense, we have a tendency to certain would like
that.
While making one thing near
your heart, it's necessary to specialise in the fundamentals before piecing
along a portrait of raw sentiment and vision. More so, once it's Associate in
Nursing freelance effort, wherever a transparent lack of resources inevitably
curbs execution.
Naya Pata-a bleak
crowd-funded film covering the life-span of a Sanskrit migrant (Abhishek
Sharma) combating Associate in Nursing identity crisis-is a classic case of
premature filmaculation. it's tough to require the topic matter seriously once
each department of the assembly feels like Associate in Nursing experiment
current.
The sound style is wooden;
each character appears to possess dubbed their lines in rooms with totally
different atmosphere sounds when that they are emended along haphazardly.
The direction is simply too
visible; one will tell once random extras square measure forced to enter a
frame from their deer-in-headlights expressions. The shot-taking is forced;
once an official speaks on stage, the shot inexplicably cuts to a side-profile
to capture the sunset and show his silhouette with none context.
The journey of the
protagonist, UN agency returns to his village in state when operating twenty
five years in city, is hampered by Associate in Nursing extreme case of 'method
filmmaking'- wherever the director makes an attempt to portray the
psychological struggle of his characters by exposing his audience to dreary
period routines. there's nothing participating regarding the man's
thoughtfulness, particularly once he utilizes quarter-hour of screentime to possess
a shower or visit bed darkly.
Independent filmmakers
should bear in mind that they too have a basic responsibility towards their
viewers. the primary rule-irrespective of their uphill battle- is to possess
Associate in Nursing adequate data of their craft. Naya Pata lacks that, and so
finishes up as a pointless exercise in self-indulgence.
Set in a very village in
Bihar’s Chhapra district, debutant Pawan K. Srivastava’s post has come back
from Associate in Nursing address that rarely finds house in thought cinema. He
speaks for variant Indians UN agency migrate from rural settings in search of
employment and higher life however ultimately find yourself losing identity and
happiness as a result of the town solely provides them refuge, it doesn’t embrace
them. Ram S. Dubey (Abhishek Sharma) is one such migrant. when payment all his
life in city, once he returns to steer a retired life, he's reduced to city
wale cake. As he reflects on his life we have a tendency to get to grasp the
pain of living life between 2 addresses, however he uncomprehensible his
partner and ultimately lost her and the way he has become a alien in his own
village.
Life comes full circle for
him once he finds his son Jitender facing constant perplexity. Associate in
Nursing freelance film created with crowd funding, it wears its message on its
sleeve. It lists the problems concerned like Associate in Nursing unskilled
docu-drama. Pawan couldn't produce the visual distinction between the past and
therefore the gift. The shot taking doesn’t look natural. although he tries to
justify it, the sarangi-laced background music doesn’t gel with the Maithili
non-standard speech spoken by the characters. The forged includes a bunch of
newcomers UN agency square measure aware regarding acting. It generates a layer
of superficiality and doesn’t let the emotions flow through.
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Kuku mathur ki jhand ho gayi
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Star Cast: Siddharth Gupta,
Ashish Juneja, Simran Kaur Mundi, Amit Sial, Somesh Agarwal, Alok Chaturvedi,
Pallavi Batra, Brijendra Kala
Director: Aman Sachdeva
Kuku Mathur and Ronnie
Gulati area unit best buddies. In fashionable South Delhi, they'd decision one
another “bro”. within the Delhi these 2 inhabit, of little “clonies”, hose
outlets and middling ambition, the term is bhai ( to not be mistaken for the
Bombay complete of goon). The parentless Kuku (Gupta) finishes college with low
marks and a dim future; Ronnie vaults straight into the search that his
abundant better-off family sets up for him.
This we tend to take in the
primary couple of minutes of the film. the remainder of it's regarding Kuku
(Gupta) making an attempt to seek out how out of the mess of his own creation,
helped on by accidental hostility between him and Ronnie (Juneja), and
unhealthy recommendation from his no-good uncle (Sial). A series of
misadventures lead Kuku to full-fledged “jhand-dom” (jhand, to Maine may be a
faintly obscene-sounding word, however I’m assured it means that being left
with nothing).
It is a awfully Delhi slang,
this jhand, and it's a rather higher translation in Hindi: thage se khadey reh
gaye. And whereas it's gently funny, to start with, to examine a young fellow
undergo a series of embarrassments to induce what all young fellows need — a
lady (Simran Kaur Mundi), a vocation, a life — it wears out quite shortly.
The boys area unit alright,
with Juneja being perkier than Gupta. The lines area unit authentic, and a few
raise laughs. the opposite components match into this Dilli: Kuku’s father WHO
is troubled to pay the bills, Ronnie’s huge brother with
tattoo-on-bulked-up-biceps, a pushing lady making an attempt her luck in
chota-mota films. a awfully Delhi mata-ka-jagran sequence is spot on, however
goes on and on. A Hindu (Kala) shows up for no smart reason, and slows things
down even additional.
The film finishes up being a
strictly average, and largely bland, slice of Delhi life. There’s a good deal
of Punjabbi Hindi, however that’s par for the course of this sort of template-y
film. For variation, we tend to get Sanskrit, from a guard and his sari-loving
married woman whom he has left behind in Darbhanga, and Kanpur Hindi, from
Kuku’s badmaash mama. Sit.com territory, extended to accommodate a movie.
Delhi is Associate in
Nursing intrinsic a part of it, of course. The title being a dead giveaway.
each the name Kuku and jhand (a loose translation in English being 'taken for a
ride') area unit each intrinsic to Delhi. The setting is middle-class Punjabi Delhi and that we get the design
spot-on.
Each and each cliché that
Bollywood associates with Delhi is there too - an attempt of railroad line,
Associate in Nursing all-night jagran with (lol) bhajans, the city's
non-standard speech and funny Punjabi names. What we do not get is that the
soul of the town that the higher than named films managed to capture.
We should blame the story
for that. we should always conjointly blame the story for why the film ne'er
gets off the ground despite a number of fascinating things and a few
titter-worthy dialogues.
Till a number of monsoons
past, a majority of film-makers in Bollywood would be afraid of experimenting,
afraid to get out of the temperature. Out of the box ideas and way-out titles
were thought-about 'risky propositions' or 'professional harakiri' and people
taking the road less traveled were usually scoffed, derided and ridiculed for
taking risks. Not anymore!
These days, leading
production homes area unit churning out movies that defy the stereotype.
equalisation thought films with A-listers with wacky/innovative subjects star
newcomers is that the new cult. Balaji/ALT, a key player, has been dabbling
with way-out plots since quite your time. Their latest providing, KUKU MATHUR
KI JHAND metallic element GAYI [made in association with Bejoy Nambiar], makes
a trial to convey the spectator a slice of life expertise. will the winning
mantra of 'small is big' add favor of KUKU MATHUR KI JHAND metallic element
GAYI, let's verify...
First, the premise. KUKU
MATHUR KI JHAND metallic element GAYI narrates the story of 2 friends in an
exceedingly bourgeoisie colony of latest Delhi. Kuku Mathur [Siddharth Gupta]
and Ronnie Gulati [Ashish Juneja] area unit thick friends. Kuku comes from a
standard service category family. His father may be a 'Babu' at a office, a typical
one WHO needs his son to check laborious and acquire a decent job, whereas the
Gulatis area unit a social unit name for sarees and dress material during this
a part of the capital. Hence, it does not take Dada Gulati [Ronnie's
authoritative grandfather] abundant time to surprise his grandchild with a
store of his own - Ronnie shirt & undergarment Matching Center.
Kuku begins his struggle to
induce into schools and therefore the Physical instructional mark sheet does
not facilitate abundant, whereas Ronnie gets real busy attending stunning women
and quizzing them on the favorite colors of their dupattas.
Life takes a sharp flip for
Kuku -- he fails to induce admission, needs to work as a spot boy in an
exceedingly film unit, senior members of the Gulati family insult him, his
secret crush has found a fellow, his dream of beginning a eating house
appearance not possible as there's no thanks to get cash -- and through all
this, his ally is just too busy to even discuss with him. At now of your time,
Prabhakar Bhaiya [Amit Sial] makes Associate in Nursing entry in Kuku's life.
Prabhakar Bhaiya, from
Kanpur, WHO incorporates a resolution to any or all the issues, may be a huge
jugadu. He takes on the responsibility of transfer Kuku's life back on course.
He suggests an answer to Kuku, a crosscut that might type all his issues yet as
settle his score with the Gulatis. This set up makes Kuku roaring, however at
identical time, plants seeds for an even bigger mess…
KUKU MATHUR KI JHAND
metallic element GAYI not solely boasts of a hatke title, however makes an
endeavor to produce humor and recreation within the alternate landscape. Like
Delhi BELLY and FUKRAY, the background is Delhi, the plot is simple and
relatable, however the humor isn't over the highest. This one's a drama-driven
film, whereas the laughs area unit interspersed wherever necessary. In fact,
debutant director Aman Sachdeva sets the plot in an exceedingly acquainted
landscape, offers it a contemporary coat of paint and provides the clichés a
spankingly contemporary look.
Frankly, it takes time to
induce absorbed within the world of Kuku and Ronnie, however once into it, you
quite get pleasure from the joyride. the great half is, there is not any
heavy-duty drama, forced humor or gags to
provoke the spectator. The director keeps it refined, shying aloof from over
the highest, slapstick humor or indulgence that is obtaining synonymous with this genre of films. the center act
[intermission point] is once the film gathers momentum and Aman makes positive
he holds your attention throughout the third act, right until the end result.
Since KUKU MATHUR KI JHAND
metallic element GAYI incorporates a instance Delhi flavor, the locations, the
characters and therefore the idiom provides it Associate in Nursing authentic
feel. The hiccup is that the playscript, within the 1st hour specifically,
could've been participating. Also, the audio recording is obvious humdrum.
Siddharth Gupta, WHO plays
the protagonist, is decent, a number of scenes withal. Ashish Juneja exudes the
proper quantity of confidence needed for the character. Simran Kaur Mundi does
not get abundant to try to to. Amit stone gets his character spot-on. Siddharth
Malhotra, WHO enacts the a part of Ashish's brother, sparkles in an exceedingly
transient role. Brijendra Kala [enacting the a part of a god man, WHO offers
absurd advices] is economical.
I'd prefer to create a
mention of the actors portrayal the a part of Kuku's father [Somesh Agarwal],
Ronnie's grandparent [Anoop Puri], the guard [Alok Chaturvedi] and therefore
the actor [Pallavi Batra]. they are natural to the core! Rajesh Sharma seems in
an exceedingly anaglyph.
On the complete, KUKU MATHUR
KI JHAND metallic element GAYI may be a light-weight person that is simple-n-sweet,
charming and most significantly, diverting for many components.
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Lekar Hum Deewana Dil Movie
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Cast: Armaan Jain, Deeksha
Seth
Writer/Director: Arif Ali
Producer/s: Dinesh Vijan,
Saif Ali Khan
Music Director: A.R.Rahman
Plot: Set in uber cool south
Bombay – we tend to follow the lives of – Dino and Karishma – their mode and
attitude- each area unit young and restless and need to measure life on their
own terms, frocklining round the town and painting city red with friends.
When their exciting lives
gets jolted with the pressure Karishma’s family is pillar on to obtaining her
hitched, she and her rebellious ally, Dino, understand that its them United
Nations agency area unit if truth be told ‘made for every other’. Being the
rulers of their destiny, they take flight to forge a period of affection, fun
and freedom.
Lekar Hum Deewana Dil (With
Our Joyful Hearts) is associate approaching romantic Bollywood drama film that
stars Nikita Dutta, Armaan Jain and Deeksha Seth. conjointly made by Saif Ali
Khan, Dinesh Vijan and Sunil Lulla beneath the banner of Greek deity
International and Illuminati Films, it's the debut directorial venture of Arif
Ali, United Nations agency was the assistant author of the film Aahista
Aahista, directed by his brother Imtiaz Ali. The film has music scored by A. R.
Rahman. The film is ready to unharness on July 4, 2014.Dino and Karishma area
unit each young and restless and need to measure life on their own terms. once
their exciting lives gets jolted with the pressure Karishma’s family is pillar
on to obtaining her hitched, she and her rebellious ally, Dino, understand that
its them United Nations agency area unit if truth be told ‘made for every
other’. Being the rulers of their destiny, they take flight to forge a period
of affection, fun and freedom. however they're nevertheless to find out that
life isn’t that straightforward. And generally United Nations agency you like
the most… will become the largest drawback.
Music by A R Rahman is often
special, so one appearance forward to the music of his latest film Lekar Hum
Deewana Dil. Amitabh Bhattacharya has written the lyrics.
The album starts brightly,
with Rahman’s unconventional collage of sounds for Khalifa.
A club variety sung by
Rahman himself with support from Konakal-Mahesh Vinayakram, Khalifa is that the
quite variety that may become associate anthem, provided the film enjoys an
extended run at the box workplace.
In fact, this song has the
potential to become a chartbuster. Shweta Pandit comes into her own and enjoys
each moment behind the electro-acoustic transducer.
The sound of the stringed
instrument kick-starts Maaloom. Jonita Gandhi joins Rahman behind the
electro-acoustic transducer. the amount starts with new singer Hriday Gattani,
United Nations agency will simply fine.
A slow situational variety
that includes a serene feel thereto, Maaloom might not be thus catchy however
it's going to slot in well with the film's narrative.
The song that will realize
how into your mind and heart once hearing it a number of times is Alaahda.
Shiraz Uppal sings this one
in a very means that just about makes it his own. He pitches his voice quite
otherwise now and then that makes the song attention-grabbing.
With a title like Mawaali
Qawwali, one would expect this to be a qawalli. however it's if truth be told a
way additional spirited variety composed by Rahman for Raghav Mathur and Tanvi
sovereign.
It seems like a road song
with a Nineteen Seventies bit (in truth, in places, one is additionally
reminded of Dev Anand's films). abundant can rely on the means Mawaali Qawwalli
are going to be picturised.
After Khalifa, the sole
alternative song within the album that's smart is Beqasoor, fantastically sung
by Shweta Pandit. She sings it thus well that one wonders why her look on the
Bollywood music scene is thus irregular.
The addition of Nakash
Aziz’s voice makes this track very stand out from the remainder. once rendering
songs like Gandi Baat and frock Ke Fall Storm Troops, this one may be a
terribly totally different song for him.
Hriday Gattani goes solo in
Tu Shining, a sleek flowing variety. it might be attention-grabbing to examine
however this forward motion track fits into the narrative of Lekar Hum Deewana
Dil.
Set in uber cool south
Bombay - we tend to follow the lives of - Dino and Karishma - their mode and
attitude- each area unit young and restless and need to measure life on their
own terms. Frocklining round the town and painting city red with friends.
When their exciting lives
gets jolted with the pressure Karishma's family is pillar on to obtaining her
hitched, she and her rebellious ally, Dino, understand that its them United
Nations agency area unit if truth be told 'made for every other'. Being the
rulers of their destiny, they take flight to forge a period of affection, fun and
freedom.
But they're nevertheless to
find out that life is not that straightforward. And generally United Nations
agency you like the foremost... will become the largest drawback.
LHDD follows a year within
the young and emotional lives of Dino and Karishma United Nations agency
undergo relationship, sophistication, shame, conflict and brokenheartedness
till they understand true love.
Lekar Hum Deewana Dil may be
a road motion picture and marks the debut of yet one more of dominion Kapoor’s
grandsons - Armaan Jain. dominion Kapoor’s films were glorious for his or her
music and one is glad to grasp that his daughter’s son has started off at the
proper note. The film conjointly marks the directorial debut of Imtiaz Ali’s
brother Arif Ali. AR Rahman is on nice terms with Imtiaz thus it’s a no brainer
however they got the artist on board. Like Imtiaz, Arif has conjointly given
Rahman a freedom and therefore the result's a recent, frothy album that might
realize an immediate connect with the youth. Amitabh Bhattacharya’s hatke
lyrics add sprightliness to the OST.
The album opens with the
ballroom song Khalifa. The song appears like associate introductory piece for
Armaan. Rahman has incorporated rap, hip hop and techno beats within the song,
infusing it with associate EDM feel. Sung by Rahman because the main musician
and in the midst of Shweta Pandit, Suzanne D'Mello, Hriday Gattani and Mahesh
Vinayakram, the song’s zany charm causes you to hit the repeat button over and
all over again.
Nakash Aziz, Hriday Gattani
and Jonita Gandhi mix to form magic in Maloom. This slow love ballad can cause
you to hum on the tune. The percussion stands out and Rahman all over again
shows why he’s thus smart at capturing rhythm and melody.
Pakistani singer city Uppal
makes his look in Ala hada. Rahman weaves Shiraz’s sweet voice with some nice
stringed instrument work. It’s a pleasing surprise to listen to ghatam in
between and so percussion takes over. the general feeling is like being buoyed
on a musical wave.
Canadian singer Raghav and
Tanvi sovereign shine in Mawali qawwali, that has African orchestration.
Purists can say it’s no qawwali however what’s in a very name if the top
product pleases your ears. One finds faint strains of RD Burman’s Aao sodium
air current lagao sodium (Mere Jeevan Saathi – 1972) too within the song.
Beqasoor is that the
mellowest of the ton and therefore the most troublesome composition still. This
stratified piece sung by Nakash Aziz and
Shweta Pandit has the voices process over each other, making a haunting impact.
merely superb!
Teen sensation Hriday
Gattani makes Tu shining his own. The pop orchestration including the Hinglish
lyrics mix to form it a love song for today’s generation. The stringed
instrument riffs increase its structure.
Rahman positive keeps
associate ear to the bottom and is aware of what today’s kids area unit being
attentive to. He’s given them the most effective of the each worlds by
peppering a Hindi film OST with strains of world music and EDM. Armaan Jain and
Arif Ali couldn’t have asked for a additional excellent start…
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Heropanti 2014 Movie
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Cast:tiger shroff, island
sanon, sandeepa dhar, vikram singh
Director: Sabbir Khan
Producer: Sajid Nadiadwala
Writer: Sanjeev Dutta
Story: Bablu helps Rakesh
flee with Choudhary Suraj Singh's girl Renu. What happens once Bablu meets
Suraj Singh - and his different girl, Dimpy?
Review: So, Heropanti is
like DDLJ - carrying knuckle-dusters. The action is in 'Jat-land' wherever
rural lord Choudhary Suraj Singh (Raj) is celebrating the organized wedding of
his girl Renu (Dhar). The wedding's high Haryanvi vogue, all occasion bullets
and booze, chowmein eaten up with dhai-kilo hands ANd relatives together with
an encounter specialist cop, a land shark badmaash and king of Delhi's
bouncers. however the 'Kala Kutta' dries up once Renu elopes with Rakesh. In
pursuit, her maddened relations capture Rakesh's buddies - together with Bablu
(Shroff) UN agency pummels the Haryanvis onerous. Bablu's fists stop flying
once Dimpy - Suraj Singh's younger girl - arrives. can his heroics win?
After look this film, you
genuinely feel unhealthy that one in all industry's nicest man Jackie Shroff's
son had to mark his screenland debut with one thing as vacuous as
Heropanti. The over two-hour long film
is AN assault on your senses with a stereotyped treatment borrowed from the
flicks of 80s and 90s.
Let's get one factor right.
Debutant Tiger Shroff isn't your standard wanting hero. therefore after you
launch him in a very film that's filled with seen-before scenes, the result's
nothing wanting insipid.
Yes, he will punch the goons
ANd will that very well however Heropanti isn't an action flick either. within
the finish what you get is {mishmash|odds ANd
ends|oddments|melange|farrago|ragbag|hodgepodge|mingle-mangle|hotchpotch|omnium-gatherum|assortment|mixture|mixed
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all thin things that area unit therefore unstylish in an age once new
administrators try to inform contemporary stories. simply to jog your memory a
little. Sabbir Khan is that the same guy UN agency directed Kambakkht Ishq.
Does Heropanti have a story,
a plot? there's patriarch Chaudhariji, some reasonably speechifier in situ
referred to as Jattland, 'jo karodo kamaata hai, Mercedes chalaata hai, par dil
Nano jaisa.' His elder girl (Sandeepa Dhar) elopes along with her lover (who
happens to be some Masterji Hindu deity beta) on the day of her saat pheras. so
as to go looking for her they garner Masterji Hindu deity beta's four friends.
3 of them area unit supremely irritating. The fourth one happens to be Bablu
(Tiger Shroff) UN agency as thin destiny wills falls dotty with Chaudhariji's
younger girl Dimpy (Kriti sanon). If you've got grownup up look screenland
films you'll don't have any bother shot the remainder of no matter happens
during this sheer-waste-of-time flick.
There's nothing honourable
regarding honour killing. however goodness, it makes for a terrific story
specially once the intention is to weave a genial romance around a heavy issue.
In parts, harking back to
Priyadarshan's Rangrezz, Heropanti is AN unabashedly straight and sentimental
launch pad for Tiger Shroff. And he excels in each department. The narrative
gets to the purpose at once with informal elan. it is a gaudy active we tend
todding in Haryana wherever we meet a family of unapologetic ruffians movement
as aristocrats.
Director Sabbir Khan, whose
debut film Kambakkht Ishq gave a brand new definition to designer-filmmaking,
is much a lot of on top of things of his plot now. He yanks his cityfied
protagonist Babloo (yup, that is the name our debutant hero may be anointed
with) out of the gymnasium straight into the rugged country of Haryana wherever
running away is a dirty word.
The narrative is structured
with ample area for standard components of formula filmmaking to spill over
while not inflicting AN excessive deluge of distractions. whereas the primary
movement of the plot is dishevelled ANd limp round the edges with a number of
the meant comic encounters between Babloo and therefore the cheerful Dimpy
(she's the sister of an eloped woman from a conservative family prepared to
encore the family's disgrace) falling flat on the face, the moment packs in a
very rock-solid punch. and that i do mean that, literally.
Tiger Shroff could appear as
if a soft light romantic hero. however once push involves shove (as it
typically will within the gun-toting badland), he delivers a mean punch.
whether or not jumping from building to putting together or entreaty the woman
with platitudinal appeal lines, there's AN easy-going composed perspective to
the present debutant's on-screen persona, like to mention, there's far more to
the flicks than simply flamboyant masculinity.
As the plot progresses and
that we see Tiger's character mix virtually miraculously into the girl's
hostile family, we tend to understand however smartly author Sanjeev Dutta has
subverted the Dilwale Dulhania lupus Jayenge plot.
Prakash rule usurping Amrish
Puri's position within the tale of out love is outstanding in decoding the bride's
father's possessive rage and gradual melt-down. He provides a awfully capable
web to Tiger's launch missile. create no mistake.
This is Tiger's massive
price tag debut. And boy, will this Tiger burn bright! He emotes, he dances and
affirmative, he will fight. Tiger shares an honest chemistry together with his
cute co-star island Sanon.
The film may be a showcase
for Tiger’s talents; he's an out of this world jock UN agency will backflips in
dance sequences and effortlessly leaps off walls in action scenes. he's a sleek
dancer.
His body appears chiselled out of granite —
director Sabbir Khan makes certain Tiger drops his shirt typically, in order
that we've got ample time to think his abs. In places, the dialogue delivery is
off and his surprising pink lips area unit a small indefinite amount awkward.
however he encompasses a terribly solid screen presence. will Tiger act? I
don’t apprehend. Is he a star? completely.
The rest of this film,
however, is funny unhealthy. A remake of 2008 Telugu film Parugu, Heropanti is
purposefully loud masala. The squealing pitch is accentuated by ear-shattering
background music.
This romance set against a
social structure Haryanvi background has no area for subtlety, irony or maybe a
quiet moment.
The disjointed narrative
brims with low-IQ high-testosterone men brandishing weapons. the ladies area
unit puppets UN agency either smile or scream. At one purpose, Tiger (playing
Bablu) instigates the woman he loves, Dimpy (played by island Sanon) to create
her own selections.
that is nice, solely here authorisation is
translated as an evening enter a mini-skirt, saltation and drinking. There area
unit a number of melodious however clumsily placed songs. As for dialogue,
here’s a sampler: one in all the various villains, this one getting ready to
marry Dimpy, tells Bablu: “Yahan alphabetic character hoga Biu-Mandara the top
aur wahan alphabetic character main karunga uski gap ceremony.” however
specially, Tiger stands tall. He earns Heropanti 2 stars. i'm desirous to see
what he will next.
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Director: A.R. Murugadoss
Writer: A.R. Murugadoss
(story)
Stars: Akshay Kumar,
Sonakshi Sinha, Govinda
‘Holiday’, the official
remake of the monster Tamil hit ‘Thuppaki’, offers Akshay Kumar an opportunity
to come to full combat mode. He plays a loyal soldier willing to stretch some
rules within the on a
suspect’s finger, or shooting dangerous guys the instant he gets romancing and joshing, he
slides. therefore will the film.
It is a close to
frame-by-frame copy, and also the original had the sort of full-on action
interspersed with broad comedy that South actioners ar packed with, that ne'er
travel too way in Hindi remakes. The soldier’s buddy may be a officer.
That is additionally the sole job of the actress (Sonakshi Sinha), United Nations agency wears boxing gloves-and-tight-shorts in one scene and a flowing , force out only the plot remembers that it desires a song-and-dance. however sadly for her, they're therefore generic, they swish by while not impact.
That is additionally the sole job of the actress (Sonakshi Sinha), United Nations agency wears boxing gloves-and-tight-shorts in one scene and a flowing , force out only the plot remembers that it desires a song-and-dance. however sadly for her, they're therefore generic, they swish by while not impact.
On a chance from active
duty, Captain Virat Bakshi (Akshay Kumar) finds himself up against the mastermind
(Daruwala) of a terrorist outfit, United Nations agency is busily planting
‘sleeper cells’ through the country to be activated once the time is ripe. So,
we've got Virat careering during which folks ar sent rapidly. It’s all terribly Wild West and
volunteer.
improvement up the rot. But hey, those longing for logic during this
stack of a plot ar simply spoil-sports. once there's ‘masala’, why trouble in which is its solely state.
Akshay will still deliver an
ideal roundhouse kick however he has been trying his age for a moment
currently. He’s slim however he makes everything acquainted. In Murugadoss’s earlier Hindi
remake ‘Ghajini’, Aamir Khan’s eight packs banded muscle was new.
Even though we have a
tendency to just about apprehend what to expect from AR Murugadoss, he
continues to surprise United States on every occasion. Holday is uproarious in
elements however I will assure you that that wasn't the intention.
Since Murugadoss may be a
industrial film producer, he continuously gets huge stars to figure with him
and so he goes ahead with a secure bet, remake a south film. vacation is that
the remake of the Tamil film Thupakki. therefore here's slightly concerning the
plot.
Soldier Kumar is home on a
vacation on the other hand bear in mind the punch line, 'A soldier isn't off
duty', that is just about the story.
Once off duty, (officially)
Virat Bakshi (Akshay Kumar) is chasing a terrorist United Nations agency
belongs to the cadre. Sonakshi Sinha is his love interest; he at the start
rejects her as a result of she is in a very ancient look and not fashionable
enough for him. however once he sees her in some western outfits he decides
that she is going to be the love of his life. Since he's the hero, he will
certainly do some 'heropanti'- he can check girls get in public as a result of
appearance ar important! Subtlety is clearly not Murugadoss's strength.
Akshay is in nice form and
there's little question that he delivers a decent performance, indeed the
motion picture runs altogether on his shoulders. Sonakshi will what she has
exhausted most of her movies, departure out Lootera.
If you question me, they may
o.k. do while not the complete romantic track and every one the songs on the
other hand what's a masala film while not all this right? and so however can
they accomplish the task of constructing the film long?
If the largest strength of
vacation is Akshay Kumar, then it's safe to mention that the largest weakness
is its period of just about 3 hours. Watch it if you're a rock-ribbed fan of
Akshay Kumar and if you've got that sort of time!
Virat Bakshi (Akshay Kumar)
may be a Captain in D.I.A, a wing of the Indian Army. He involves Mumbai to get
pleasure from his leave along with his family and prolong a bride-hunt. however
destiny has one thing else future for him. His short Mumbai visit before long
turns into a full-fledged mission to save lots of town from the terrors of a
‘sleeper cell’ headed by Farhad Daruwala and Zakir Hussain. whether or not
Capt. Virat is in a position to save lots of the city? Or is that the ‘sleeper
cell’ able to accomplish their plans? All this mixed with drama, action and
romance is what Holiday: A Soldier isn't Off Duty is all concerning.
Akshay Kumar‘s good, however
rough and hard look has continuously worked wonders. As a Captain/Special Agent
from the Indian Army, he synced absolutely with the character. Sonakshi Sinha
had restricted screen house during this flick, with nothing abundant to
contribute. The bubbly player positively looked cute however the clothes
designer may have done a higher job for her. The player, however, must raise
the quality of the roles she portrays on the silver screen. Sumeet Raghavan of
Sarabhai Vs Sarabhai fame was a sheer delight to observe. He vie at the side of
his character, shining through his scenes. Holiday: A Soldier isn't Off Duty
has introduced a brand new talent, Farhad Daruwala. His sinister role because
the ‘sleeper cell’ leader was delivered with grace. The fledgeling delivers a
promise to perform higher with distinguished roles. Ace actor Zakir Hussain was
seen during this nearly three-hour long flick for hardly 3 minutes. His
existence remains associate nonreciprocal question for the audience. Our
beloved Govinda aka Chi Chi created a special look within the film. His
presence another the attractive charm to his role, however was altogether out
of place. remainder of the solid was simply on top of average.
After a hiatus of just about
half dozen years, director A R Murugadoss offered 2 remakes to Bollywood. Jai
atomic number 67 (earlier this year) and Holiday: A Soldier isn't Off Duty
follows the critically and commercially-acclaimed Ghajini (2008). All 3 ar a
remake of abundant standard South Indian counterparts. Ghajini was a remake of
a Tamil film of identical name. whereas Jai atomic number 67 was the Hindi
version of Telugu flick, Stalin. vacation may be a frame-to-frame copy of 2012
Tamil motion picture Thuppakki.
Though not as thrilling as
Ghajini, vacation was fun to observe in bits and items. The intellectual
proceedings between the hero and also the antagonist is kind of fascinating.
The action sequences can keep you at the edge-of-your-seats. however there ar
many parts within the motion picture which will be a let-down. Firstly, the
length of the motion picture may are reduce avoiding unwanted scenes and shots.
The plot and several other scenes ar quite unbelievable. a military officer
gets concerned in a very mission, whereas he's inactive. He goes on a symptom,
amputating and killing terrorists spree, while not obtaining detected even
once. and also the weirdest scene of the ton, the hero knuckle cracks his right
arm and also the broken arm is back in form, all by itself.
Nonetheless, one mustn’t
forget that Holiday: A Soldier isn't Off Duty is supposed to be a pure masala Bollywood
soul. This film is certainly not meant for people who use their mind and check
out finding logic behind what unfolds on the massive screen. Statutory Warning:
Leave brains and logic reception before heading to the theatre to observe
Holiday: A Soldier isn't Off Duty.
The technical aspects except
for the action sequences were simply on top of average, departure nothing
unforgettable for the audience to require back with them. The music consists by
Pritam. except for the song ‘Tu Hi Toh‘, rest 2 tracks don't seem to be even
price buzzing.
Nothing is additional
amusive than unintentional mirthfulness. the number of fun you'll be able to
have with one thing accidentally funny is far quite what you get in associate
intentional comedy. If you don’t believe Pine Tree State scrutinize Prakash
rule in Heropanti, or Dilip Tahil in Bhaag Milkha Bhaag.
The protagonist from Satya a
pair of was a atomic explosion of mirthfulness and created that motion picture
super amusive.
So the question isn't
specifically however sensible is Akshay Kumar’s comedy-action-thriller
vacation, however however did they reach such a high order of unintentional
hilarity?
The answer to it question
may be found within the filmmaking genius of AR Murugadoss. His approach to
cinema is fascinating – there's no purpose in creating an easy sensible motion
picture, as a result of that method doesn't have any magic. We’re {better
off|more happy|comfortable|happier|at associate advantage|more contented} with
the questionable magic of Murugadoss’ imagination that permits United States to
get pleasure from a motion picture during which Sonakshi Sinha slaps her father
habitually and Govinda plays an athletic senior Army commando.
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